Optimo Prime Series

Optimo Prime Series

Optimo Prime Series

We take your creativity a step further.

Optimo Anamorphic

Optimo Anamorphic

Elevating anamorphic production to a new level.

Optimo Spherical

Optimo Spherical

The reference lens line of the industry

Optimo Style Spherical

Optimo Style Spherical

Bring your content to life with true cinematic look and 4K+ quality.

Type EZ Series

Type EZ Series

Image excellence combined with flexibility for ENG-style productions.

Optimo Prime Series

18, 21, 24, 28, 32, 40, 50,
60, 75, 100, 135, & 200 MM
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We take your creativity a step further

The Full Frame Optimo Prime Series is a perfect match with the Optimo Ultra 12X, the new long range zoom reference of the industry. The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm)

Main features

Based on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as:

  • replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect)
  • filters to change optical properties, MTF, CCI, etc.
  • high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane
  • front diameter 95mm for all except the F200 which is 114mm
  • available as PL

 

Focal length (mm) 18 21 24 28 32 40 50 60 75 100 135 200
Max
T-Stop		 2 1,8 1,8 1,8 1,8 1,8 1,8 1,8 1,8 1,8 1,8 2.2
Minimum
Object
Distance		 1’2” 1’2” 1’2” 1’2” 1’2″ 1’2″ 1’4” 1’8” 2” 2’4” 3’3′ 4′
Front Diameter (inches/mm) 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 3,74/95 4,50/114
Image Circle 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31 1,8/46.31
Reference (feet/meters) 324783/324887 324778/324882 324786/324890 324776/324880 324781/324885 324775324879 324780/324884 324784/324888 324779/324883 324782/324886 324777/324881 324785/324889
Lenght(inches/mm) From PL Mount 6.30/160 5.51/140 5.04/128 5.04/128 5.04/128 5.04/128 5.04/128 5.04/128 5.04/128 5.04/128 5.51/140 7.48/190
Horizontal FOV (*) 97.0° 87.8° 81.3° 72.5° 65.3° 54.3° 44.3° 37.3° 30.1° 22.9° 17° 11.5°
Vertical FOV (*) 65.0° 57.0° 51.4° 44.7° 39.5° 32.0° 25.7° 21.5° 17.3° 13.0° 9.6° 6.5°
Weight kg/lbs (**) <1.9/4.2 <1.9/4.2 <1.7/3.75 <1.7/3.75 <1.7/3.75 <1.7/3.75 <1.7/3.75 <1.7/3.75 <1.7/3.75 <1.8/3.96 <2.0/4.4 <2.3/5.07
Focus Barrel Rotation MOD to Infinity 320° 320° 320° 320° 320° 320° 320° 320° 320° 320° 320° 320°
Focus Barrel Rotation end stop to end stop 300° 300° 300° 300° 300° 300° 300° 300° 300° 300° 300° 300°
Iris Barrel Rotation 75° 75° 75° 75° 75° 75° 75° 75° 75° 75° 75° 75°

* H40.50mm x V22.40mm sensor

** Non-contractual

Shot with

In Light
Directed by Joel Kazuo Knoernschild
DoP: Randy Wedick Shot with: Optimo Prime Series F28, F40 & F135
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SLOW DOWN TIME
Directed by Joel Kazuo Knoernschild
DoP: Randy Wedick Shot with: Optimo Prime Series F28 & 135
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These Angels
Directed by Brett Gillespie
DoP: Randy Wedick Shot with: Optimo Prime Series F40
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