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Oscar 2017, Cesar 2017

News 2017-02-02

On Tuesday, January 24, the Academy of Oscar – Academy of Motion Picture Arts and Sciences unveiled the nominations for the 89th ceremony, which will take place on February 26th at Dolby Theatre at the Hollywood & Highland Center, Los Angeles
On Wednesday, January 25, the Academy of Cesar – Académie des Arts et Techniques du Cinéma unveiled all the nominations for the 42nd ceremony, which will take place on February 24th at Pleyel Theatre in Paris.
Angénieux lenses are particularly well represented.

Oscar 2017
In the list of nominated movies for Best Picture or Best Cinematography, five movies have been shot in Angénieux:
Hacksaw Ridge -ARRI Alexa XT Plus, RED Epic Dragon + Panavision Primo, Primo V, Leica Summilux-C, and Angenieux Optimo lenses
Moonlight – ARRI Alexa XT Plus + Hawk V-Lite and Angenieux Optimo Anamorphic A2S lenses
Comancheria /Hell or High Water – ARRI Alexa XT Studio + Hawk V-Lite, Angenieux Optimo, and Optimo Anamorphic A2S lenses
Manchester by the Sea –ARRI Alexa XT + Canon K35 and Angenieux Optimo lens
Silence – ARRI Alexa Studio, Arricam LT + Zeiss Master Anamorphic and Angenieux Optimo lenses
…including two in the race for Best Cinematography Award:
Moonlight ( DP James Laxton) and Silence (DP Rodrigo Prieto).
Also made with Angénieux lenses and selected for Oscar 2017
Captain Fantastic, Elle, Florence Foster Jenkins, Alliés, Star Trek : Sans limites /Star Trek Beyond.

César 2017
In the list of nominated movies for Cesars 2017, at least seven movies have been shot in Angénieux:
Elle (11 nominations), Ma Loute (9 nominations), Mal de Pierres (8 nominations), Chocolat (5 nominations) , Les Innocentes (4 nominations), Réparer les Vivants and Manchester by the Sea
Among the five cinematographers in the race for Best Cinematography, Caroline Champetier (Les innocentes), Stéphane Fontaine (Elle), Guillaume Deffontaines (Ma Loute), Christophe Beaucarne (Mal de Pierres) had Angénieux zoom lenses in their equipment list. Angénieux Optimo Anamorphic A2S lenses were on set of both movies Ma Loute and Mal de Pierres.

Would it mean that shooting in Angénieux anamorphic zoom lenses is a good way to gain access to recognition ?
Let’s wait and see !

All news