In 2013, for the first time in its history, Angénieux became an Official Partner of the Festival de Cannes, and created the “Pierre Angénieux ExcelLens in Cinematography”, a ceremony to spotlight the work of directors of photography. For more than 80 years, with their demanding aesthetics and techniques, Directors of Photography have secured the success of Angénieux zoom lenses. In their honor, Angénieux pays tribute to these men and women without whom cinema would not exist.

       

Cannes 2017 – Angénieux pays tribute to cinematographer Christopher Doyle

       

For this fifth edition of the “Pierre Angénieux Excellens in Cinematography” tribute, on May 26, 2017 at the 70th Cannes Film Festival, Angénieux wished to turn the spotlight on the Asian cinema through the outstanding filmography of Christopher Doyle, member of the Hong-Kong Society of Cinematographers (HKSC).

       

Christopher Doyle is certainly one of the most brilliant cinematographers of his generation. Doyle’s contribution to the films of Wong Kar-Waï, Zhang Jimou, and Fruit Chen, among others, is indisputable.

       

Doyle’s way of shooting is very instinctive, very dynamic, most of the time hand-held to put the audience at the closest of the action. “The function of the cinematographer is to be the bridge, the conduit between the audience and what’s in front of the camera. To me there are only three people in cinema: the person in front of the camera, the audience member, and the person who is the real passage between them—the cinematographer. Of course director and producer facilitate the interface. But for the engagement to be direct and compelling, I really believe we have to be transparent and remove ourselves enough so that the passage between the actors and audience is direct” says Christopher Doyle.

       

Doyle used the constraints of low budgets and tight spaces to find rythm and energy in his shots: a unique style that he adapted to bigger budget movies. Extreme angles of views even for close-ups, unusual color palettes, unique lighting are Doyle’s cinematography signature. To serve this kind of images, the zoom lens is an ideal tool. It is always part of Doyle’s equipment list, especially the Angénieux Optimo 15-40. Doyle used Angénieux zoom lenses on American Dreams in China (2013) by Peter Chan, Love for life (2011) by Changwei Gu, Ocean Heaven by Xialu Xue, Ondine (2009) by Neil Jordan , Downloading Nancy (2008) by Johan Renck, Lady in the Water (2006) by Night Shyamalan, The White Countess(2005) by James Ivory, Hero (2002) de Yimou Zhang and many others. Christopher Doyle’s work has been rewarded an incredible number of times in the most prestigious film festivals. Port of Call (2015) directed by Philip Yung won in 2016 the Hong Kong Film Best Cinematography Award.

       

Christopher Doyle, surrounded by Juliette Binoche, Jenny Suen, Olivier Assayas and Frédéric Auburtin was awarded the “Pierre Angénieux ExcelLens in Cinematography” tribute.

Hosted by Pierre Zeni and opened by Thierry Fremaux, Director of Cannes Film Festival, the ceremony took place at the Buñuel Theatre in the Palais des Festivals. In presence of Ed Lachman, cinematographer ; Raphaël Keller, Director for Innovation, Video and Technical Industries at the CNC – Centre National du Cinéma et de l’Image Animée; Richard Andry President of AFC (Association of French Cinematographers) ; Yang Dan Senior Vice-President of Weying (online ticketing platform on Wechat) and San Mu President of  Movie View (Chinese movie magazine and PR company) supports of the tribute ; Pierre Andurand, President of Thales Angénieux and Suzel Pietri (Orbis Media), Christopher Doyle said :

       

« Most awards are some kind of symbol : a horse for example or a little golden man. This award means so much more than just an honour for my work.

     

This award has been created by craftsmen and women with precision and care. It’s the bridge between their craft and my endeavour for art that I will be using every day on every film to come with pride and respect. With this award, Angenieux has passed on to me their excellence, now it’s my responsibility to be excellent in return. »

       

Christopher received on stage  an Angénieux zoom lens, an Optimo 15-40 specially engraved to his name.

       

Souvenirs of 2016, 2015, 2014 & 2013 editions

       

Before Christopher Doyle, the “Pierre Angénieux ExcelLens in Cinematography” award ceremony rewarded four directors of photography whose work has marked the history of world cinema: Philippe Rousselot AFC ASC in2013, Vilmos Zsigmond HSC ASC in 2014, Roger A. Deakins BSC ASC  in 2015 and Peter Suschitzky ASC in 2016.